The Grammy’s are all about standing out. You are more likely to see outrageous attire here than at any other award show on the planet, so you always need to take the getups with a grain of salt. However, because the Grammy’s really have an anything-goes kind of madera, the styles go from symbol to completely outlandish.

Florence Welch has a very specific style about her, almost as memorable as your vocals for Florence and the Machine.

The fair skinned, red-hair singer wore a reptilian based dress by Riccardo Tisci. The dress, for the most part, was incredibly modest, not showing off any arm, shoulders, check or back, as the stud-like attachments ran down the small of her back. However, it was the extended slit in the reflowing bottom of the dress, raising all the way to her upper thigh, that still flashed sexy while keeping her covered.

Ashanti was all sorts of disaster and all over the place with her dress that just didn’t seem like it knew what to do. Her outfit was more of an identity crisis than anything else. The body of the dress exposed the middle of her chest and came back together directly above the belly button. The piece itself is more of a leotard than anything else, as the body of the dress looked half cape half skirt and all see-through. The rather tacky flower attachments on the skirt and running throughout the top of the dress didn’t seem to make much sense either. There really was just a hodge podge of things going on with the dress, and although Ashanti tried to work the tony Ward Couture gown as best she could, there really was no saving her, except for rushing faster to her seat in order to keep the skirt out of view from the public eye.